4/19/2023 0 Comments T.c.electronics g forceYou can simply blend in a tiny bit like the beginning of panama or higher like spots of VH1. The parts for the echoplex at 300ms and the levels? Now you can start bringing up that 300ms delay line to taste. Start bringin up the level of the verb in comparison to the delay and just a smidge more decay time added to taste. The early reflections and smooth transparency is miles ahead!Īnd most of all? They really have mind blowing "room" simulations in the G-Force verbs that are really truely amazing! The depth is astounding if you pulled it together right. TC has amazing ass kicking real sounding verb after all.Īnd its much more sophisticated and smoother than lexicons. Trust me, I wasn't able to believe it myself. In comparison its like silk vs sandpaper and realistic vs completely fake. The verbs are much smoother, airier, and transparent than the Lex's ever thought of being. You will begin to see how this will absolutely take a fat shit on anything Lexicon ever thought of doin. Slowly raise the "input level" of the verb (which is fed by the delay block that is already mixed against the dry cab for wet dry ratio) and begin clouding up that 100ms single slap delay line. Start at about 30-40% "input level" in the reverb block while its output is maxed. Now? You have that 100ms slap happening? At almost a 1-1 mix ratio? Of wet and dry? You aren't gonna have a verb tail much longer than 1 second. It kinda jacks up the resonance inside the room you are emulating so very touchy control here in the TC. As you turn this up and it gets too loud mix wise just reduce the input level to bring it back down so its makin the sound you like but at the right level in relation to the verb. Room level is a very important control as it effects the liveliness and volume of the reflections. Raise it to make it more audible and thick. "Room Level" is above the normal setting. You wanna get rid of boominess and bass in the verb here. The Reverbs " Top color" is set to bright or crisp for me and bottom end is reduced to the lesser portions toward "thin". Now go into the verb advanced block set to "cathedral" for the reverb "size". Use the g forces output knob to boost or lower the wet cab or stereo cabs against the dry. Remember delay line one level is 80-100% level. This single 100ms delay line you want to now balance level wise with the front panel OUTPUT knob against your dry cab to "mix it " for proper wet and dry balance mix. Turn the dual delays 300ms delay level completely off right now to zero% so you have just one single 100ms repeat a 80-100% level that was set with the output knob on the front panel to 50/50 mix to feed and tweak your verb in. Zero predelay in the verbs parameters as the 100ms actual killdry delay line IS the predelay! Now pick the verb Cathedral in "advanced reverb" for the reverb block. I-reverb-īe sure the verb is below one line and one box space over from the delay block. Make sure it looks something like this in the matrix Run a reverb block in parallel fed and split off from the killdry delay that is passing straight through. Line 2 could have enough to have a very faint second repeat-to taste. Zero feedback for sure on the 100ms line 1. Keep the top end brighter but low end thinner here in the scheme of things.ġ repeat. It simulates the loss of frequencies at a distance here. So you wanna trim inside toward the middle of these two frequencies. This kinda trims up the delay tone to be in the zone as green back speakers are between 75hz and 5khz response anyway. Mine is at or just under 4.56khz on the hi cut.īottom end is above 75hz but below 200hz to taste here is your low end window of play to tweak in by ear. Now run the pipeline across the matrix straight across from the delay block.įilter on the high end of the delay is 3.16khz to just under 5khz. Turn off the 300ms out level for now also and focus on the 100ms delay line. One delay is 100ms and the other is 300ms. We are gonna focus on gettin the delay all sweet and cookin first, shape it a bit with the filters to sweeten and soften it up some and settin the level so its not competing against the dry cab but complimenting it and gettin it sounding like a long doubler effect or quick single slap. Keep the verb off for now by bypassing the verb block or turning its level off. Killdry mode in the g force engaged, feeding the cabs placed on opposite side in stereo from the dry cab-you pick which side is wet and dry here. While I only have the smart phone and no actual computer now to load up clips I would invite anyone to try this setting. Having screwed and messed with all kinds of stuff lookin for this elusive verb formula I feel I have perfected it. I have taken WDW three cabs and put the two effect cabs in stereo on one side and the dry on the left. Especially of you have a simple wet dry setup. If you own a G Force, you may be very delighted. For all the trollers and lurkers heres a cool bone thrown at you.
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